In recent years, the Hanfu movement has brought this traditional attire into daily life. As China transitioned through different dynasties, each era brought about its own set of influences on Hanfu. In contrast, the southern regions of China feature a warmer, more humid climate, which has led to lighter and more breathable styles of Hanfu. For example, during the Tang Dynasty, a more open and international environment led to adaptations in clothing styles, incorporating elements from as far as Persia and Central Asia. For example, a couple should present what type of affair they are going to have, the time and date of the event, the amount of people they would love to invite, the sort of food they would want served, the background music they’d love to enjoy, and the sort. For example, brighter and more colorful Hanfu are often chosen for the Lunar New Year to symbolize prosperity and good fortune for the year ahead.

Floral and aquatic motifs, such as lotus and fish patterns, are popular in embroidery, symbolizing the natural scenery of the region. The Ru may also be decorated with intricate embroidery, showcasing motifs like peonies or chrysanthemums, which carry their own symbolic meanings. Linen and thin silk are often the fabrics of choice, and you’ll see a preponderance of brighter colors like white, light blue, and light green, symbolizing the lush landscapes of the south. You’ll often see the use of darker colors in northern Hanfu, like blacks, browns, and navy blues, as these shades are considered more practical and also carry certain symbolic meanings. Casual Hanfu typically features simpler designs and materials like cotton to make them more comfortable for everyday wear. Elites often wore luxurious fabrics like silk, while commoners usually wore hemp or cotton. Materials used for Ru are similar to those of the Yi, ranging from everyday cotton to more luxurious silks and brocades. Fabrics such as wool and heavier silks are commonly used to provide warmth.

One of the most fashionable styles is the wool coat; you can quickly wear them outdoor and go ice skating. One characteristic feature is the use of fur or thick lining in the robes, especially the Pao. The garments are often more elaborate, featuring intricate embroidery and the use of luxurious materials like silk and brocade. Longer sleeves and wider collars are also common to help retain heat. Sleeve Variations: The dramatic “water sleeves” for theatrical events or simpler, narrower sleeves for daily wear. Hanfu enthusiasts gather at various festivals and events dedicated to celebrating this traditional attire. The guiyi which follows the ‘one-piece system’ is called guipao while the other form of guiyi, guichang (or guishu), follows the ‘separate system’, consisting of ruqun which is a set of attire composed of a ru, an upper garment, and a qun as a long skirt. Upon seeing this attire worn during the celebrations, some people may become confused as they may be more familiar with the qipao, the other Chinese national dress. When trousers are worn, they are generally loose and may have a tapered style towards the ankle. As such, Hanfu’s aesthetic dissonance and sartorial difference from Western fashions are difficult for brands to incorporate into designs meant for a global audience.

Journey to the West changes the original system by associating China with the southern continent and moving India to the western continent. The evolution process of the Jiansequn reflects the multiculturalism context, the cultural exchange, and the cultural integration which occurred between the Han Chinese, the northern ethnic minority culture, and the culture of the Western regions which occurred from the late Northern Wei dynasty to the Sui and Tang dynasties. The Ming Dynasty saw a resurgence in ethnic Han culture, including the re-adoption and standardization of Hanfu. However, hanfu was largely replaced by Western-style clothing after the Qing Dynasty (1644-1911), which imposed its own dress code on the Han Chinese. However, kitsuke standards were still relatively informal, and would not become formalised until after World War II. The yesa robe is a form of kuzhe (Chinese: 袴褶; clothing with trousers for riding or military style clothing); however, the design of the yesa made it no more functional for horse riding.

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