Until the Han Dynasty, the Hanfu was adopted and vigorously promoted by the ruling class. The mangao was a type of yuanlingshan fashioned in the style of the Ming dynasty which was red in colour; it used to be worn by the Han Chinese women as a court robe. This is inherited from the Han and Mongolian national characteristics of the clothing system. It is also during the Six Dynasties period that the yuanlingpao started to be worn as formal clothing. It is a formal attire worn by scholars and students (生員) taking the imperial examination in Ming Dynasty. During an Imperial Funeral, Ming officers wore a grey blue Yuanlingshan (without Mandarin Square), buffalo horn panel belt(烏角帶) and wushamao. Red, bright yellow, and purple always exclusively belonged to the emperor and the imperial family. It is wide sleeved and has a belt (大帶). The yi refers to any open cross-collar garment worn by both sexes, where the right side was wrapped over the left, and the shang refers to any skirt worn by both sexes, highlighted by a belt hanging from the side.

For your comfort and convenience, the belt is made long enough. The colors of Zhongshan suits are various, but usually plain, including black, white, blue, and grey. Nowadays, Tang suits have become a kind of formal dress worn on some special occasions, such as Chinese New Year, wedding ceremonies, or important events. Shui Shu’s band Bliss-Illusion is part of the country’s small but buoyant heavy metal scene, where bands mix genre standards with Chinese elements. The xiapei was actually first worn as part of the Wedding attire and after the wedding, it would be worn for special events. It was also used as part of the ceremonial attire for titled women. Illustration of Ryukyu upper clothing called Jin (衣) by the people of Ryukyu, 1721, from the Zhongshan chuanxinlu《中山傳信錄》; Men and women wore similar form of jin.通天冠，高九寸，正竖，顶少邪却，乃直下为铁卷梁，前有山，展筒为述，乘舆所常服。

故冠而後服備，服備而後容體正、顏色齊、辭令順。 Tongtianguan (通天冠) from the Gujin Tushu Jicheng.是以自天佑之，吉无不利，黄帝、尧、舜垂衣裳而天下治，盖取诸乾坤。 Daopao/Xingyi (道袍/行衣) is the traditional Chinese attire for men. According to the Joseon literati, Sŏng Tae-chung, who visited Japan in the 1764 at a time when the Ming dynasty had already fallen, when asked what he wore as a robe and headwear by Ryūzan, Sŏng Tae-chung answered that he was wearing the dopo and the bokgeon which were the attire of the ancient sages 《冠幅巾衣道袍, 乃古聖賢所着》; the dopo and bokgeon were both Confucian attire and dressing style which had been adopted in Joseon. During the Ming Dynasty, Confucian codes and ideals was popularized and it has significant effect on clothing.

Originating in the Qing Dynasty, the cheongsam has mainly developed into Beijing styles, Shanghai styles and Hong Kong styles. The cheongsam (qipao) evolved from the Manchu women’s changpao (‘long gown’) of the Qing Dynasty (1644-1912). The Manchu ethnic people were also called the Qi people by the Han people; hence their long gown was named qipao (‘Qi gown’). Beijing’s cheongsam style is more traditional and conservative than Shanghai’s and Hong Kong’s. The design and style of the yingluo in the Dunhuang region shows the integration of foreign (non-Chinese) culture and the native Chinese culture due to the special characteristics of its geography. There are some kinds of normal Ming Dynasty style Hanfu introductions in following paragraphs. It is a form of formal wear in the Ming Dynasty. Yuan Ling Shan (圓領衫) is a form of traditional Chinese attire. It is a form of casual wear, and is the most common form of attire for men in the Ming Dynasty. The order of wearing Manchu’s hairstyle however still remained as a fundamental rule for all Chinese men. Being fully clothed is an expression of Chinese clothing culture, and compared to their Indian counterparts, the Chinese did not perceive the exposure of shoulders as a sign of respect.

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