Despite these differences, Hanfu has always remained a strong symbol in China where it represents the pure Mandarin spirit. Abstract: Hanfu Gang is a project aimed at educated, young fashion lovers (primarily 16 to 26 years old) who are interested in Hanfu, the traditional clothing of ethnic Han Chinese people who ruled China for most of its history. Gender, Women’s clothing was more diverse than men’s. Below – Xiangsheng (crosstalk) performers Zhang Yunlei (left) & Guo Qilin (right) in minguo-style men’s changshan (x). The cross collar closing to the left showing foreign influence or style instead of the right closing. Notes: Well made dresses, especially the replica of the Tang Sancai doll clothing: The U-shaped collar Banbi Gaoyao Ruqun. Appearance-wise: The Japanese Kimono and the Hanfu share wide sleeves and a right lapel, as well as an overlapped collar. Looking like she has just stepped off the set of a Chinese historical drama, the 26-year-old property appraiser is wearing a long Ming dynasty-style blue tunic with sweeping sleeves and a flower design outlined in gold and silver thread, paired with a flowing, bright orange skirt. The bell sleeves shoulders and arms are transparent mesh with flower embroidery, which is very beautiful and looks upscale.

The production of silk threads and fabrics gave rise to the art of Chinese embroidery, and the embroidered works have become highly complex and exquisite. Embroidery, a folk art with a long tradition, occupies an important position in the history of Chinese arts and crafts. The history of the square-shaped buzi is unclear. According to the 2020 Blind Box Economic Insight Report, the market size of the blind box industry is expected to double to 30 billion yuan in 2024. Huge market allure, blind box economy constantly out of the circle, but also let tourism see more new possibilities. In the domestic cultural scenic spots and ancient blocks, you can often see men and women dressed in Hanfu fairy fluttering appearance, become a beautiful scenery line. A sudden disaster, a local brand of a good act, winter hanfu but accidentally through the domestic brand into the heart of the new youth road. The driving force behind this is the new youth growing up in the Internet era. Now the national tide has entered the 3.0 era, the national tide is no longer limited to the new national goods, but also includes culture, science and technology and other fields behind the comprehensive rise of China’s power.

Marketing insiders say that behind this wave of wild spending is the presence consumers get from brands, a deep emotional attachment to domestic goods. According to the statistics of Qianzhan Industry Research Institute, 66% of hanfu consumers are driven by traveling, while participating in folk activities and taking photos of ancient styles account for 27% and 26% respectively. For example, for women, only an empress or official wife could wear true red, while the color was prohibited for concubines. Pre-pandemic, she typically organized monthly events to either celebrate Chinese traditional festivals or host gatherings where participants practiced seal carving and making hairpins, all done while wearing Hanfu. For a long time, people saw it only as a costume for Chinese Opera and period drama until the early 2000s, when the younger generation started to revive this traditional clothing. This form of clothing attire was most likely worn by peasants and labourers. 39-40 For the Han Chinese, however, Manchu-style clothing conflicted with their Confucian prescriptions which govern their attire.

Hanfu is referred to the pre-17th century traditional clothing of the Han Chinese. 272 However, just like women in the Tang dynasty period incorporated Central Asian-styles in their clothing, Central Asian women also wore some Han Chinese-style clothing from the Tang dynasty and combined elements of the Han Chinese-style attire and ornament aesthetic in their ethnic attire. However, lots of Mongolian-style attire and hats still prevailed, as did clothing changes from the Song era. The appearance of the xiapei appearance and construction differed depending on the time period: in the Ming dynasty, the xiapei was similar to a long scarf or stole in appearance; however, it could either be found in the shape of a stole or a waistcoat in the Qing dynasty. In the Tang dynasty, new styles of Tanling banbi appeared and became extremely popular. Some women also wore banbi under their yuanlingpao. People normally wore light colored clothing in daily life.

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