Hanfu top in the Ming Dynasty. Finally, it turned out to be a kind of ladies’ casual top. In the middle of the Ming Dynasty, during the Little Ice Age, the weather was extremely cold, so people designed long thick top and used a high collar, while buttons were starting to used to fasten the clothes in order to protect against the chilly wind. Wang Bu, a man from the Qing dynasty, once introduced the wangjin as something that looks like a fishing net. The Qing dynasty is a Manchu ruler-based regime, Manchu Banner dress with the change of dynasty rushed into the customs. Other than that, it is sometimes used as a wedding dress for females. Bride wearing a phoenix crown for a wedding. Chunyang jin (純陽巾) / Letian jin (樂天巾) Named after Lü Chunyang and Bai Letian. Feiyu-fu (or the flying fish robe) was the exclusive costume of the Jin Yi Wei (royal guards) in the Ming Dynasty, and only warriors who were approved by the emperor were qualified to wear it.

Now, the modern Feiyu costume even uses a variety of totems, men traditional chinese clothes which is one of the most handsome and wildly attractive traditional Chinese costumes among the men’s Hanfu. Daopao (Taoist robe) is typical casual wear of men’s hanfu in the Ming Dynasty, from the nobility to the common people all took the Daopao as one of the main dresses for daily wear. In appearance, Changshan is pretty like a men’s version of a cheongsam, but with a flat vertical cut, no curves, and a plain color, very simple. Nowadays, you can easily buy a modified version of samfu in women’s clothing mall, people like to wear samfu as a vintage and casual style shirt in daily lives. Mao Zedong also liked Zhongshanzhuang so much, and there was a modified version called the Mao Suit. There were also strict regulations for shoes during the Han Dynasty. After the strict governance of the Qin Dynasty, Liu Bang, who rose to power from a common background, aimed to give the people a break and did not make significant changes to the general systems, including the clothing system, which largely followed the Qin Dynasty. In ancient China, what was considered an appropriate form of clothing was based on the seasons, occasions, and more importantly the wearer’s identity, including social status.

Ancient Chinese clothing reflects the inclusiveness and inheritance of Chinese culture. In this background, the dress patterns were mainly Manchu’s Qi and Pao clothing system, but at the same time, a lot of classic Han costume elements were still used. Due to the free and open cultural atmosphere, baring the arms and collar was widely accepted in the big cities, and because dancing was a popular activity in the Tang Dynasty, it was often used as a performance costume. Ku means pants, Songku represents the pants of the Song Dynasty, enough to see that pants were widely accepted in this era. The gown was established as a woman’s formal dress in the Song Dynasty, princesses, noble ladies would also use it as a daily dress. In modern China, when there is a traditional festival, many women would wear a cheongsam dress to celebrate the events, also it is widely used in weddings and parties. If you like watching Chinese dramas of the Qing Dynasty, Paofu is the standard dress for almost all female characters on TV. Aoqun is actually a two-piece Hanfu suit, Ao is the topcoat, Qun is the bottom skirt, and in the Ming Dynasty, one of the most popular skirts was called the horse-faced skirt.

If the personal wardrobe consists of tops and trousers, skirts and frocks here are a brand new addition. Every time it goes through a new historical period, it can retain its own unique design, but also learn the advantages of other clothing systems, take the essence and remove the dross, and constantly optimize and update itself, thus developing a large number of styles that are suitable for the public and loved by people. Throughout the Qing dynasty, Han civilian women could wear traditional Han clothing from the Ming dynasty. Initially, it was a leisure wear for men, but later as the use of silk increased, it became very light and thin, more suitable for women to wear. The skirt had spaced coloured stripes and was tied with a white silk band at the waist. The level of silk embroidery in this period was so advanced that even very complicated patterns could be produced in large quantities, and the most important feature of the robes of this period was that the patterns were more exquisite, while the cut was also slimmer. The yesa of this period was a type of new garment which only appeared in the Ming dynasty and was likely localized from and developed under the influence of the jisün the Yuan dynasty.

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