During the start of the Qing Dynasty, hanfu disappeared. By the time of Wu Zetian’s ascendancy, the weimao was back in fashion and had spread everywhere while the mili had gradually disappeared. By 705 AD, the mili had completely disappeared. By the end of the Sui dynasty, the mili evolved into the weimao; the weimao only covered the face instead of the entire body. The other alternative to the mili was the wearing of a curtain bonnet, which originated from Tokâra, a hat with a veil which ran around the sides and back and would fall on the shoulders. Primarily worn by women, it is often draped over the shoulders or wrapped around the elbows. In the late Tang and Five Dynasties, it became fashionable to loop the ceremonial silk from behind and then have it drape over the arm, requiring a pibo with a length of about five meters or more. In early Tang, one side of the garment was tucked into the skirt or the banbi, and the other end hung naturally over the shoulder.

The ‘pibo’ (披帛) garment can be divided into two major types, ‘pi’ (帔) and ‘bo’ (帛), with lengths often exceeding two meters. Qungua is a two-piece garment attire: black gua and red qun. In this period, the qun worn by the Han Chinese were often mamianqun which featured pleats and embroideries at the panels and decorative borders. The Kingdom of Nanyue (204 BC-111 BC) was conquered and ruled by the Han Chinese under the Han dynasty in 111 BC. “There wasn’t any singular style of clothing prior to the Qing (dynasty) that was designated specifically for people of Han ethnicity,” he said in a phone interview. Hanfu. It was introduced to China through the Silk Road and popularized during the Tang dynasty, where it became an accessory for Han Chinese clothing. In the poetry, murals, and artworks of the Sui and Tang dynasties, fashionable women are often depicted draped in pibo silks. It was particularly popular during the Sui and Tang Dynasty, where the silk pibo can be found both in the Western regions of Dunhuang and Turpan and the central region of Chang’an, reflecting the vibrant silk trade during that time.

The term shenyi (Chinese: 深衣) is composed of two Chinese characters《深》which can be translated as ‘deep’ and《衣》which literally means ‘clothing’ in the broad sense. Besides its simplicity, Qipao provides designers with Chinese traditional clothes and Chinese ancient clothes vast, creative space: some short, some long, with Chinese traditional clothes and Chinese ancient clothes low, high, or even no collars Chinese dress, Asian dress and oriental dress all. Hong Kong industrialised rapidly from the mid-1950s to the 1990s when Hong Kong was dubbed one of the “Four Asian Tigers”. As a cultural traditionalist, Chin cited British colonial governor Cecil Clementi’s fostering of local traditional culture in the 1920s, arguing that, thanks to British colonialism, hanfu traditional “Hong Kong’s culture today is both more modern and more authentically Chinese – or more rooted in ancient traditions – than the culture of mainland China,” where orthodox religious customs and traditional written Chinese were abandoned under the Communist regime. Blue and yellow are particularly prestigious and tend to be worn on religious events such as Vaisakhi. One of the largest events nationally on the Hanfu enthusiasts’ calendar drawing thousands, the Xitang event costs just 90 renminbi, or $13, to take part.

“Generally speaking, Hanfu enthusiasts are mainly composed of the post-Eighties, post-Nineties, and even the post-Aughts generations who love Chinese traditional culture,” Ming said. Surprisingly, this is most common among the younger generations. His imperial edicts were only effective for a short period of time as women started re-wearing the weimao, which covered their faces but allowed their clothing and bodies to be exposed. However, the Emperor Gaozong was not satisfied with those because these new adopted fashion allowed the exposure of women’s face, and he wanted the burnoose to return and cover the face. Historian Jeffrey Crean notes, however, that the Blue Shirts impacted only elite politics, not the vast majority of China’s population. However, the shenyi’s influence persisted in the following dynasties. The shenyi then became a form of formal wear for scholar-officials in the Song and Ming dynasties. The shenyi then became the mainstream clothing choice during the Qin and Han dynasties. The shenyi was then developed in Zhou dynasty with a complete system of attire, being shaped by the Zhou dynasty’s strict hierarchical system in terms of social levels, gender, age, and situation and was used as a basic form of clothing.